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Welcome to 
Studium Actoris




Carlo Aonzo Trio - a huge success in Norway!

Led by Carlo Aonzo, mandolinist of the Philharmonic Orchestra of the Teatro La Scala in Milan, the trio performed music from their latest album "Mandolitaly" at both Riksscenen in Oslo, Gamlebyen Kulturhus in Fredrikstad as well as two other venues in Fredrikstad

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"Jul i Gamlebyen" celebrated Christmas with international artists in the Old Town in Fredrikstad

As part of the Christmas Celebration inspired by 2021th NRK's production of Julekalender, Studium Actoris and Visit Fredrikstad & Hvaler invited the city to a variety of small pop-up shows with Teatro Colombaioni, Enrico Bonavera,  Adrian Schvarzstein, Carlo Aonzo Trio and others in the streets of the Old Town of Fredrikstad on December 10th and 11th. 

Here you can find information about our own productions, both new and old ones! 

Guest performances and workshops are an integral part of Studium Actoris' identity and focus areas. Read more about that here! 

We are constantly working on different projects, on local, regional, national and international levels. Here you can find information about our current and previous projects!


Studium Actoris

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Studium Actoris (SA) was founded in 1989 in Bodø and has been based in Fredrikstad since 1997. The main focus and tradition of the ensemble is based on international cooperation and exchange of experience and knowledge across national and genre boundaries. SA is a laboratory for the development of the actor's physical expression. To us, the actor is a human being with special tools and qualities; these make him or her an interpreter between the universe and humanity. By its transparency, the actor can also be understood as a window through which the spectator can see the world and the mysteries of the universe, in completely new ways.

Since the beginning, SA has always created works that both engage, involve and provide opportunities for growth for the society in which it operates. Performing arts have embedded all the innovative power that in addition to producing performances, can be used in communication between the different actors in society: us «ordinary» citizens, politicians, administrators and the other governing powers. We seek, from project to project, to use this unique power the best way possible.

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